Address
Unit 3/7 Pitt Way, Booragoon WA 6154

PEVNEV BALLET ACADEMY

Participation \ Registration

About Us

Pevnev Ballet Academy is Perth’s southern suburbs’ premier Classical Ballet school offering training specialising in Vaganova technique. To complement students’ ballet training the Academy offers specialist Pointe classes, Contemporary dance, Character dance and Dance Conditioning.

The Academy prides itself on providing classical ballet training of the highest calibre.  Former students of the Academy are now continuing their training and professional careers in Russia, Canada, Australia and New Zealand.

Classes are available to students from 3 years of age to pre-professional level, as well as adult classes.

Gifted students may audition to participate in the Elite programs; Junior Extension, ‘After School Program’, or the Full-Time Program, which are designed to enrich and broaden the dance experience of dedicated and focused students.

Our aim is to instil in all students a love of movement, music and dance whilst establishing correct technique and imparting an appreciation of the traditions of classical ballet.

Directors

Sergey Pevnev

Born in Saint Petersburg, Russia, Sergey trained at the Vaganova Ballet Academy before dancing with Kirov Ballet, Eifman Contemporary Ballet Theatre and Tatchkin Saint Petersburg Ballet Theatre. Sergey joined West Australian Ballet in 2004 and was promoted to Principal Dancer in 2009. Sergey has received a Diploma from the Perm International Competition. In both 2009 and 2010 he won Outstanding Performance by a Male Dancer at the WA Dance Awards, firstly for his role as Albrecht in WAB’s Giselle, followed by his performance as Romeo in Romeo and Juliet, choreographed by Yuri Vamos.

After Sergey’s retirement in 2016 he took a position as Director of Pevnev Ballet Academy.

Fiona Pevneva

Born in Victoria, Fiona’s ballet training began with the Janice James Academy, then with Marilyn Jones and Garth Welch before traveling to Munich to join the Heinz-Bosl Academy. After only a year and a half at the Academy she was offered a contract to join the Bavarian State Ballet and was promoted to Soloist in 2004.

In 2008, Fiona performed as a Guest Artist with the West Australian Ballet on their tour of The Red Shoes and joined the company as a full-time artist in 2009, beginning with that year’s Ballet at the Quarry season. Later in 2009 she was promoted to Leading Artist and Principal dancer. At the WA Dance Awards in November 2014, Fiona won the Outstanding Performance award for a Female Dancer for performing Tatiana in WAB’s Onegin. She was also nominated for a 2014 Helpmann Award for the same role.

After the birth of her second daughter, Fiona retired from dancing to focus on teaching but was known professionally as Fiona Evans. 

Faculty

LAURA PEDRO

Head of Character

EVGENIA PLOTKIN

Head of Contemporary

CHRISTINE JAROSZEWSKI

Classical

LAURA PEDRO

Head of Character

TONIA SANTORO

Ballet Teacher

ZAMIRA KETENCHIEVA

Classical, Conditioning and Choreography

AMELIA SAGRABB

Contemporary & Classical

ZAMIRA KETENCHIEVA

Classical, Conditioning and Choreography

MAY GREENBERG

Contemporary & Classical

AMELIA SAGRABB

Contemporary & Classical

ALEX KAY

Jazz

Styles

Classical Ballet

From 2021, Pevnev Ballet Academy will concentrate on delivering Classical ballet training in the Vaganova method of Classical Ballet, developed by Agrippina Vaganova. The Vaganova is the chosen method by most full-time ballet schools as well as most professional companies around the world and therefore, giving Pevnev students the best training and opportunity for a career in dance.

The method fuses elements of traditional French style from the romantic era with the athleticism and virtuosity of Italian Cecchetti technique. The training system is designed to involve the whole body in every movement, with equal attention paid to the upper body, legs and feet. Vaganova believed that this approach increases consciousness of the body, thus creating a harmony of movement and greater expressive range.

The steps in the Vaganova method builds on a carefully developed progression in which the “basic” or “preparatory” forms are mastered before the dancer moves on to more difficult forms. The method is founded upon the idea that when a dancer is introduced to a step, he or she will have developed the correct strength in foundation in order for their steps and movements to be successful. 

Character

The International Character Dance Syllabus has been designed and written by Australia’s leading exponent of Character Dance, Alida Segal. Her experience began in 1970 with Madame Marina Berezowsky AM and continued while studying at the world-renowned Moiseyev School in Moscow.

This clear and concise training program takes students from basic concepts to professional standards in preparation for a career on the stage.

The course includes active physical practice of technique & movement, as well as information about music and rhythm. Elements of ethnology, physics and design are also involved. This results in a more holistic education & understanding of the development of dance styles.

 

Contemporary

Pevnev Ballet Academy follows the principle that classical ballet is the fundamental technique underpinning all other dance forms. However, it is vital that young students and dancers of today are as versatile as possible.

With our ultimate goal being to train dancers for a career in dance, we have created a contemporary dance curriculum that will develop the technical fundamentals required of a dancer today, alongside current and relevant movement explorations to better equip them for today’s industry.

Our classes will be led by our resident contemporary faculty as well as renowned international guests and will encompass Cunningham based technique partnered with principles gathered from Release, Graham, Counter technique, floor work and improvisation.

There is a strong focus on correct postural alignment, efficient and creative pathways of movement in and out of the floor, as well as developing spatial awareness and holistic body strength.

We aim to produce dancers that are aware, thoughtful and confident. Ready to face any and all of the challenges that may appear in the current dance industry.

 

Programs

Recreational

Level 1 (3-4 years)
Level 2 (4-5 years)

 

Ballet syllabus in two levels, to give our youngest dancers the best possible introduction and foundations for the Junior Program.
Highly structured classes (once weekly) with no more than 12 students per class. One class assistant and accompanied on piano.
Full school end of year concert.
 
Optional class: Contemporary/Jazz Dance (Level 2 only)
Level 1 (5-6 years)
Level 2 (6-7 years)
Level 3 (7-8 years)
Level 4 (8-9 years)*

Conditioning to strengthen and stretch the young bodies, and to give the student a better understanding and awareness of their muscles and joints to prevent injury,
Classical classes to refine technique and develop strength in classical work.
Optional classes: Contemporary or Jazz Dance, Repertoire/Dances (Level 3 and up only).
Eisteddfod solos and groups (by invitation only).
Class assessments with an external examiner, certificate and report.
Full school end of year concert.

*option in Level 4 to audition for Elite Programs.

Level 1 (9-11 years)
Level 2 (11-12 years)
Level 3 (12-14 years)

Conditioning to strengthen and stretch the young bodies, and to give the student a better understanding and awareness of their muscles and joints to prevent injury.

Classical classes to refine technique and develop strength in classical work.

Contemporary Dance.

International Character Dance Syllabus (ICDS). Optional classes: Jazz Dance, Repertoire (ballet).

RAD Festival / Eisteddfod solos and groups (by invitation only). Mid year Contemporary/Jazz performance.

Full school end of year concert.

Class assessments with an external examiner, certificate and report.

15+ years
 
Classical & Contemporary Dance coaching for students aged 15 years and over who wish to maintain their technique, in a recreational capacity.

Elite Programs

Saturday morning Classical, Performance and Conditioning classes. Annual assessment, certificate and report.

Elite Eisteddfod ensemble (by invitation only).
Level 1 (10-11years)
Level 2 (11-13 years)
Level 3 (13-14 years)
Level 4 (14-15 years)

  • Classical classes to develop the classical ballet technique and to challenge dancers in terms of speed, agility, strength and ability to pick up combinations quickly.
  • Pointe classes to build lower-leg strength and develop strong foundations en Pointe.
  • Repertoire/Dances
  • Conditioning classes to strengthen and stretch growing bodies, and to give the student a better understanding and awareness of their bodies to prevent injury.
  • Contemporary Dance
  • International Character Dance Syllabus (ICDS).
  • Optional classes: Jazz/Contemporary Dance

RAD Festival / Eisteddfod solos & groups (by invitation only). Yearly Stage Exams and Masterclasses with an examiner from Russia/Vaganova Academy.


Option to obtain accredited Certification Courses in Dance, in partnership with the Australia Dance Institute.
*option in Level 4 to audition for Elite Programs.
This is a boutique Classical Ballet program catering to students with the ambition of becoming principal and soloist dancers within a professional dance company.
There is a strong focus on developing the individual and therefore small classes are imperative to ensure rigorous attention to each student in order to strengthen technique, and polish performance quality.
All applicants for the Pevnev Full Time Training Program are required to undertake a strict selection process. Auditions will include a solo performance, ballet class and an interview to assess ability and commitment. The academy offers entry into either the Junior or the Senior stream.
Child Jacket

Essential uniform for Junior Performance Group, After School Training Program and Full Time students for competitions.

Available for purchase to all Pevnev Ballet Academy students.

Orders need to be made by 31 December 2019 for students to receive them in time for the competition season.

Jackets are ordered in bulk and take approximately two months for manufacture and delivery.

Youth Jacket

$100 each

Women’s Jacket

$110 each

Men’s Jacket

$110 each

Uniforms

An important part of the discipline of classical ballet, contemporary and associated dance styles is the way students present themselves for classes. ALL students are expected to be neatly groomed and wearing the correct uniform.

All dancewear is available at or can be ordered from Studio Scene dancewear shop. Studio Scene is located at 352 Marmion Street, Melville. Products can also be ordered efficiently from the Energetiks website.

Pevnev Ballet Academy highly recommend MDM footwear. Pevnev is an approved MDM stockist. Please contact us to make an appointment to have your MDMs fitted.

Petite Pevnevs (Level 1 & 2)
Girls
  • Energetiks Charlotte leotard (style CL04) in Ballet Pink
  • Energetiks Audrey Skirt (style CS27) in Ballet Pink
  • Pink ballet socks or Theatrical Pink ballet tights
  • MDM canvas ballet shoes with elastics
  • Energetiks cross over (style CX01) in Ballet Pink (optional)

Boys

  • Navy blue dance shorts
  • White short-sleeved leotard or tight-fitting T-shirt
  • White socks and white ballet shoes with elastics
Junior Program (Level 1 & 2)
Girls
  • Energetiks Charlotte Leotard (style CL04) in Mauve
  • Energetiks Audrey skirt (style CS27) in Mauve
  • Pink ballet socks or Theatrical Pink ballet tights
  • MDM canvas ballet shoes with elastics
  • Energetiks Maeve Cross Over (style CX01) in Mauve (optional)

Boys

  • Navy blue dance shorts
  • White short-sleeved leotard
  • White socks and white ballet shoes with elastics
Junior Program (Level 3 & 4)
Girls
  • Energetiks Charlotte Leotard (style CL04) in Dusty Pink
  • Theatrical Pink ballet tights
  • MDM canvas ballet shoes with elastics
  • Energetiks cross over (style CX01) in Dusty Pink (optional)

Boys​

  • Navy blue dance shorts
  • White short-sleeved leotard
  • White socks and white ballet shoes with elastics
Intermediate Program (Level 1, 2 & 3)
Girls
Classical
  • Energetiks Annabelle (style CL11/AL11) in Lunar (Level 1 & 2), Navy (Level 3)
  • Theatrical Pink 'convertible foot' ballet tights
  • MDM canvas pink ballet shoes

Contemporary​

  • Bloch Elite Footless Tights (style T0230G/T0230L) in Black
  • Pevnev Tee (optional)

Boys​

Classical
  • White fiited shirt or short-sleeved leotard
  • Navy dance shorts/tights
  • White socks
  • White ballet shoes with elastics

Contemporary​

  • Dance shorts in Black
  • Pevnev Tee (optional)
Junior Extension Program
Girls
  • Energetiks Charlotte Leotard (style CL04) in Baby Blue
  • Energetiks Melody Skirt (style CS01) in Baby Blue
  • Theatrical Pink 'convertible foot' ballet tights
  • MDM canvas pink ballet shoes with elastics. Ribboned shoes are required for competitions and performances.
  • Black tight-fitting dance shorts for the Dance Conditioning class

Boys

  • Navy blue dance tights
  • White short-sleeved leotard
  • White socks
  • White ballet shoes with elastics
Contemporary and Jazz Dance
Girls
  • Black leotard (student own choice)
  • Bloch Elite Footless Tights (style T0230G/T0230L) in Black (to be worn over the top of normal class leotard)
Boys​
  • Black unitard or singlet
  • Black shorts
 
International Character Dance Syllabus
Girls
  • Energetiks Mara 3/4 length sleeve leotard (style CL08/AL08) in Black
  • Energetiks Erica Character Skirt (style CS20/AS20) in Black
  • Bloch Fiesta Feathersoft Footed Tights (style T3331G/T3331L) in Black
  • Bloch Showstopper Women Stage Shoe (style S0303) in Black

Boys​

  • Energetiks Joshua Tee (style AC21) in White
  • Bloch Mirella Men's Footed Tights (style TM5607M) in Black
  • Energetiks Freed Men's Modern Leather shoe (style FMLB) in Black OR​
  • Bloch Oxford Men's Stage Shoe (style S0309M) in Black
After School Program
Girls
Classical
  • Energetiks Annabelle (style CL11/AL11) in Jacaranda (Level 1), Cerise (Level 2), Aubergine (Level 3) and Deep Purple (Level 4).
  • Theatrical Pink 'convertible foot' ballet tights
  • MDM canvas pink ballet shoes
  • Pointe shoes

Contemporary

  • Bloch Elite Footless Tights (style T0230G/T0230L) in Black
  • Pevnev Tee (optional)

Character dance​

  • Energetiks Mara 3/4 length sleeve leotard (style CL08/AL08) in Black
  • Energetiks Erica Character Skirt (style CS20/AS20) in Black
  • Bloch Fiesta Feathersoft Footed Tights (style T3331G/T3331L) in Black
  • Bloch Showstopper Women Stage Shoe (style S0303) in Black

Boys

Classical
  • White fiited shirt or short-sleeved leotard
  • Navy dance shorts/tights
  • White socks
  • White ballet shoes with elastics

Contemporary​

  • Dance shorts in Black
  • Pevnev Tee (optional)

Character dance

  • Energetiks Joshua Tee (style AC21) in White
  • Bloch Mirella Men's Footed Tights (style TM5607M) in Black
  • Energetiks Freed Men's Modern Leather shoe (style FMLB) in Black OR​
  • Bloch Oxford Men's Stage Shoe (style S0309M) in Black
Full Time Program
Female Students
  • Energetiks Wide Strap Camisole leotard (Style CL11/AL11) in Cobalt
  • 3/4 Sleeve Leotard (Style CL08/AL08) in Black
  • Georgette Character Skirt (Style CS20/AS20) in Black Bloch Showstopper
  • Women’s Stage Shoe (S0303) in Black available from Bloch.com.au

Male Students

  • Navy blue dance tights
  • Short-sleeved leotard or t-shirt in White (AC21)
  • White ballet shoes with elastics and White socks
  • Bloch Oxford Men’s Stage Shoe in Black (SO309M) OR
  • Energeticks Freed Men’s Modern Leather Shoe in Black (MLB)
  • Black tights with feet

Contact Us

Pevnev Ballet Academy

Junior school- 213 South street, Beaconsfield WA 6162
Intermediate and Senior school- 31 Maida Vale road, Maida Vale WA 6057

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    LAURA PEDRO

    Born in Sao Paulo, Brazil, Laura began her dance training at the tender age of five a the Pio-X Conservatory of Music and Dance in Jundiai, moving to the prestigious Halina Biernaska Ballet Academy to complete her studies in dance.

    Laura has a wide and varied professional resume including company membership with Pio-X Dance Company, UNICIRCO Circus Company as Dancer and Choreographer, entertainer with International Hotels Magic Life Resorts in Turkey and Greece and more recently in Perth, Kuerazo Latin Dance productions as Choreograher and guest soloist with Perth City Ballet.

    Laura has trained extensively in the RAD style of classical dance and qualified member of the Union of Dance Teachers from Sao Paulo, Brazil. Laura specialises in Moiseev Character Syllabus and brings her expertise to the dancers at Pevnev Ballet Academy.

    EVGENIA PLOTKIN

    Evgenia is an Israeli choreographer and a contemporary dance teacher. She
    was born in Minsk, Belarus.
    In 1991, Evgenia moved to Israel with her family and continued her training

    through primary and high school, after which, she completed the dance-
    training programme in Kibbutz Gaʼaton to later join the Kibbutz Contemporary

    Dance Company 2 (KCDC2) and later the Vertigo Dance Company.
    She has collaborated and worked with choreographers Odelia Kuperberg
    (Israel); Elad Schechter (Israel); Rina Wertheim (Israel) Gil Carlos Harush
    (Spain); Nimrod Freed (Israel); and more.
    Evgenia graduated from the Jerusalem Academy of Music and Dance with a
    bachelorʼs degree in dance and education. Taught Masterclasses, performed
    and choreographed in Israel, USA, Russia, Germany, France, Australia and New
    Zealand.
    Now resident in Perth, WA. Evgenia continues to pursue a diverse dance and
    movement practice. Delivered in her welcoming and inclusive way, Evgeniaʼs
    movement language is focused on exploring the world of flow and softness
    combined with strength and self-expression.

    CHRISTINE JAROSZEWSKI

    Christine was born in New York. She started her international professional career at the age of 16 with the Basel Ballet in Switzerland. She then worked with various modern/contemporary choreographers. She has also participated in her own choreographic works at the “Young choreographer’s Workshop” with Zürich Ballet in 1990 and 1992. She only ended her rich and exciting career recently in 2017 after 6 years as Principal with Ballet am Rhein Dusseldorf-Duisburg, Germany where she performed the lead roles such as “The Sleeping Beauty”, “Romeo and Juliet” and many others on top of being exposed to Contemporary dance, improvisation and Yoga/Gyrokinesis practices.

    In 2014, Christine became a Certified Teacher of the American Ballet Theatre’s (ABT) National Training Curriculum.

    In addition to her ballet training and career, Christine lived in India for 5 years, and taught ballet and «Yoga for Dancers», based on Gyrokinesis”R” for an educational diploma program with the Attakkallari Center for Movement Arts and Mixed Media in Bangalore.

    TONIA SANTORO

    Tonia is Italian born and did her early ballet and contemporary training in Massafra learning under teachers of both RAD and Vaganova methods.

    She has taught extensively over the last 11 years and has worked as both dancer and choreographer in several European dance and theatre companies, including Sans Papier Theatre Company as choreographer and dancer on Romeo and Juliet and Notre Dame de Paris, as well as dancing with Compagnia Stabile del Musical (West Side Story) and CDG Contemporary Company, Italy.

    ZAMIRA KETENCHIEVA

    Zamira Ketenchieva started as a professional rhythmic gymnast and competed professionally from 7

    years old up to 14 years old. During that time she received the “Master of Sports” title (national champion). 

    Zamira has always been passionate about classical ballet and in 1993 she began her study at Saint Petersburg Humanitarian University of Trade Unions (Russia) under director, principal of the Kirov Ballet, A.Sapogov. She graduated in 1997 with a Diploma in Teaching and Choreography.  

    Since then Zamira has taught gymnastics and ballet in different schools around the world promoting the Russian method.

    As well as classical ballet, Zamira specialises in body conditioning and flexibility (a necessity for dancers).

    AMELIA SAGRABB

    Amelia Sagrabb is an emerging contemporary dance artist based in Perth, Western Australia. She recently graduated from Mason Gross School of the Arts at Rutgers University in May 2020, receiving a BFA (Honours) majoring in dance and minoring in sociology. At Rutgers she performed works by Pam Tanowitz, Jordan Lloyd, Sean Curran, Erik Thurmond and Chien-Ying Wang, whilst also producing her own works.

    Her studies included a year at Jerusalem Academy of Music and Dance, where she worked with Roni Chadash, Noa Zuk, Batsheva Dance Company and Vertigo Dance Company.

    Most recently, Sagrabb choreographed and performed in her professional debut contemporary dance work Lemon at FRINGE WORLD Festival 2021 and as part of the Blue Room Theatre’s season 900 Seconds. Amelia has also undertaken additional intensive studies with STRUT Dance, Peridance/Hubbard Street Dance, Sydney Dance Company and Co:3 Australia.

    Additionally, she is a certified Yoga teacher and currently teaches at Urban OM and Mudra Yoga. Amelia’s main focus in teaching is to give students the space, time and tools to be able to reconnect with their bodies and find the sense of playfulness and discovery within dance. A lot of Sagrabb’s teaching principles are inspired by Gaga — she incorporates imagery and imagination to explore new possibilities and pathways of movement.

    MAY GREENBERG

    May graduated from the Western Australian Academy of Performing Arts Bachelor of Art in Dance (2014). In 2015 she began work placements with Co3:, Fresco Dance Company, Batsheva Company and in 2016/17 with Kibbutz Contemporary Dance Company and Dancenorth.

    May has choreographed pieces for Short Cuts By STRUT Dance from 2016 to 2019. 

    ALEX KAY

    Alex Kay is a Perth born and bred contemporary dancer. She began her dance training with the
    Perth School of Ballet as well as performing with STEPS Youth Dance Company in 2014 under the
    directorship of Alice Lee Holland, and then in 2015 with Co:3 Australia Youth as a founding
    member. During her time training at The Perth School of Ballet, she completed her Advanced 1
    ISTD Modern/Jazz exams. A highlight of her time at PSB was being awarded the role of ‘Bert’ in
    the production of Mary Poppins, where she believes Jazz was a crucial style of dance she was
    grateful to have been trained in.
    In 2018 Alex graduated from the Western Australian Academy of Performing Arts (WAAPA) with a
    Bachelor of Arts (Dance) where she commenced Jazz studies alongside her Contemporary Dance
    and Ballet studies. She also completed a semester abroad at the Taipei National University of the
    Arts (TNUA). In 2019 Alex completed her Honours year through LINK Dance Company and
    graduating with First Class Honours. Throughout her years of study, Alex performed in works
    choreographed by nationally and internationally renowned choreographers as well as touring
    some of these works in France, Taiwan, China and Melbourne.
    Since graduating, Alex has worked professionally as a Developing Artist for Co3 Australia,
    working for artists such as Raewyn Hill, Stephanie Lake, Daisy Sanders and Scott Elstermann.
    Alex has dance teaching experience with local schools in Perth with a variety of styles. Creating
    competition solos and concert dances, Alex loves to include approaches from all genres to create
    entertaining and visually-mesmerising pieces.
    Alex is also is a qualified Yoga instructor currently working at Beyondbeing Yoga. She is interested
    in how to cultivate flow state through mindfully moving and how this can directly affect dance
    performance.